Philips Logo History and Font
November 15, 2025
Since 1938, Philips has relied on a consistent visual core for its logo. The same main idea, the same emblem, and the same visual metaphor have been carried forward through the decades, with only careful refinements rather than radical changes.
Meaning and history
Philips is a global brand that takes its heritage seriously. Unlike many companies that constantly experiment with new identities, Philips has redesigned its logo only a few times. Each update has respected the overall style and character of the brand, keeping it instantly recognizable while gently modernizing details.

1891 – 1895
The first Philips logo, introduced in the early 1890s, was a delicate script wordmark. It featured the inscription “Philips & Co” in an elegant, italic handwritten style, set in black on a plain white background. It looked more like the refined signature of a traditional merchant than the logo of a technology company, reflecting the brand’s modest beginnings.
1895 – 1905
In 1895, Philips moved from a flowing script to a compact monogram. The letter “P” overlapped the “Co,” with a small ampersand placed inside the curve of the “C.” A light equal-sign element in the lower right corner balanced the composition. This logo was simple, orderly, and more graphical than its predecessor.
1905 – 1910
The 1905 redesign replaced the monogram with a strong typographic logo. “Philips” was written in bold uppercase serif letters as the main line, accompanied by several smaller lines of supporting text underneath. Each line used different small caps styles, giving the logo a structured, informational appearance, like a label or product heading.
1910 – 1915
In 1910, Philips introduced a much more striking logo. The name appeared in heavy uppercase letters using a geometric serif font. The black characters were refined with thin white accents and framed by a yellow outline, creating a bright, confident look. This version conveyed strength and presence and stayed with the company for about five years.
1915 – 1921
Another redesign came in 1915. Philips adopted a friendlier, more approachable layout: a two-line wordmark, with each line underlined by a wavy line. Both the text and lines were black and shared the same stroke thickness, creating a unified look. The letters were set in a modern sans serif typeface, giving the brand a simpler, more contemporary feel.
1921 – 1923
In 1921, Philips introduced a colorful rectangular badge. The logotype appeared in white across a deep blue bar with a yellow outline. Two yellow wavy lines ran above and below the main “Philips” inscription, splitting the banner into three sections. Additional white text was placed in the top section, while the bottom featured a white light bulb with short, sharp rays extending outward. This design emphasized light and innovation.
1923 – 1924
By 1923, the crest was updated again. The background became a bright yellow with a rounded bottom edge. The wording “Philips Radio” appeared on two lines in a bold uppercase sans serif, colored in a muted blue. Three thick red waves surrounded the text, and a small four-pointed star in blue decorated the lower tip of the crest. The design clearly highlighted both the Philips name and its emerging role in radio technology.
1924 – 1936
In 1924, Philips adopted a much more minimal wordmark. The logo consisted solely of a heavy uppercase “Philips” inscription in a grayish palette, with thin yellow stripes running through the letters. The typeface was an extra-bold geometric sans serif, with each character looking sturdy and well-grounded. This design expressed stability and industrial strength.
1936 – 1938
In 1936, the wordmark was refined again. The Philips name was redrawn in a more elegant sans serif style. The letters were solid black, and the final “S” was crossed diagonally by a small white decorative element. This version looked cleaner and more contemporary, although it was only used for a short period.
1938 – 1968
The crest that would become a Philips icon appeared in 1938. It was a golden shield shape with a curved lower edge. Inside, a dark red circle held three horizontal wavy lines and four four-pointed stars: two in the upper-left area and two in the lower-right. Above the circle, a blue horizontal panel carried a white uppercase wordmark. The tall, narrow sans serif letters looked compact yet confident. This emblem combined light, waves, and stars to evoke technology, communication, and illumination.
1948 – 1968
A 1948 update arranged the crest and wordmark together in a new way. The shield, simplified in monochrome, was placed to the left of a bold uppercase “Philips” inscription set in a geometric sans serif typeface. The font matched the lettering within the crest, tying both elements together as a single visual system.
1968 – 1995
In 1968, Philips introduced a logo that strongly resembles what we know today. The shield disappeared from the primary version, leaving a bold blue uppercase wordmark on a white background. The typography was clean and straightforward, emphasizing readability and modernity. The font was similar to typefaces like Town 50 Chic Black and Dazzle Unicase Bold, with robust, balanced characters.
1995 – 2004
In 1995, the crest returned alongside the wordmark. The blue-and-white shield appeared next to an enlarged “Philips” inscription in the same blue tone. Below the logo, the tagline “Let’s make things better” was added in a dynamic cursive style with sharp, expressive letterforms. The tagline used the same color as the name and crest, reinforcing unity across the design.
2004 – 2008
A new refresh arrived in 2004. The crest was removed once more from the main logo, and the wordmark was redrawn with thicker strokes and a slightly darker, smoother blue. Underneath, a new tagline appeared: “Sense and Simplicity,” written in lowercase using a combination of gray and blue. The overall design felt cleaner and more focused on clarity and user experience.
2008 – 2013
In 2008, Philips revisited the idea of combining wordmark and crest. The shield was brought back and placed to the right of the uppercase “Philips” name, with both elements rendered in a monochrome scheme. This version gave the logo a classic yet modern feel and was used for about five years.
2008 – 2013 (refined wordmark)
The same year, the company refined the wordmark further. The blue color became brighter and more vivid, and the shapes of the letters were adjusted. The characters grew slightly shorter and bolder, creating a more compact appearance. The horizontal bar of the “L” gained a subtle diagonal cut, adding a small but noticeable touch of personality. The typeface used at this stage resembled fonts such as Achates Heavy and Tanseek Sans Pro Regular.
2013 – Today
In 2013, Philips fully embraced its classic crest again. The color palette was updated: the background of the shield switched to a rich blue, while the lettering and circular elements were rendered in white. The blue shade echoed that of the previous logotype, ensuring continuity. This crest, with its waves and stars, remains one of the most recognizable technology emblems in the world.
Font
The Philips wordmark uses uniform, all-capital letters in a clean sans serif style. The core structure of the lettering was established as far back as the 1920s, and since then only subtle tweaks have been applied. This consistency helps the brand feel solid, trustworthy, and timeless.

Color
Blue has been the key color in the Philips logo since 2008, with only small adjustments to the exact shade over time. The hue conveys reliability, innovation, and professionalism—perfect qualities for a brand associated with lighting, healthcare, and consumer technology.